Rebecca Pedrazzi is an art historian and critic specialised in AI Art, curator and journalist. Born in Milan, she graduated in Art History and Criticism at the University of Milan with the thesis ‘Il Mercato dell’Arte Contemporanea’ (The Contemporary Art Market) and began working as an Art-Advisor in an art management company, also developing an in-depth knowledge of Old-Masters. In 2017 he founded the online art and culture magazine NotiziArte.com, and in 2018 he became a freelance journalist. Since then he has written more than 3,500 articles on national and international art and culture events, now with a targeted focus on the most current topics of the latest technologies applied to the art world. In 2021, he published the book ‘Possible Futures. Art Scenarios and Artificial Intelligence’ – Publisher Jaca Book. She currently lectures for courses and masters on AI and the world of Art and is active, on the educational side, with publications, conferences and dedicated webinars. She has collaborated with various organisations such as VAR Digital Art for the VDA Award, and with CINECA for the GRIN S+T+ARTS Residencies project. She is a member of the Gallery Climate Coalition (GCC) and collaborates with the Neuromarketing and Metaverse Department AINEM and the European project PERCEIVE. She co-curated the exhibition ‘L’opera d’arte nell’epoca dell’Intelligenza Artificiale’ – Parma, Palazzo Pigorini, the first collective exhibition dedicated to Italian AI Art. In 2024 she worked in the Artificial Intelligence Observatory team at the European Institute of Design (IED) where she currently teaches ‘Phenomenology of Contemporary Arts’.