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Cao Fei: the Artist who describes the dystopic side of Digitalisation

The future of digitalisation is dystopic, and it is already very close at hand. At least, this is the opinion of the Chinese multi-media artist, Cao Fei (Guangzhou, 1978). Cao Fei sees art not only as a social instrument, but also as assuming a prophetic role. In her films and installations, the artist combines social comments, popular aesthetics, and references to Surrealism