Lying stretched out along the gentle curve of the circular bench, the viewer looks ahead, then moves his gaze upwards, left, and then right, not to miss a single image or text of the rapid and noisy animations that cover the domed ceiling of the planetarium. There is a feeling of familiarity, needled by a latent desire of non-involvement while images from popular culture appear and disappear, penetrating the subconscious, Visitors enter the first of the two immersive works created for the Swiss pavilion at the 60th Venice Art Biennale, by the artist Guerreiro do Divino Amor, and curated by Andrea Bellini.